本来是学校论文,结果老师开始给的是不及格因为不相信是我写的,虽然这是对工科生的不可原谅的鄙视,但是姐姐我心中还是小爽了一下的...于是很臭屁地放上来.哈哈         

          寂寞梦想改革者

                                                      ----------触摸商鞅

                             弗吉尼亚. 伍尔夫

                                                                                                         ----到灯塔去

在<到灯塔去>中,拉姆齐先生”坐在那里凝望岛屿,也许在想:’我们死去,在孤独中死去.’或者在想:’我终于到达了.’”

在开始写作她的第一篇意识流小说之前, 伍尔夫在<论现代小说>中有一段著名的文字:“作者似乎不是由于自己的意志，而是由某个强悍蛮横的暴君控制着，在他的奴役下提供着故事情节、喜剧、悲剧、爱的情趣以及一种可能性的氛围--给所有的一切都完美无缺地抹上一层防腐的香油……但随着时间的流逝，越来越经常发生的是，有时我们在这充斥着因循守旧的东西的书页面前，会产生一种片刻的怀疑，一种反抗的情绪：生活真的就是如此吗？小说就该这副模样吗？透过表象，生活似乎远非“就是如此”。不妨短暂地考察一下一个普通的心灵在一个平平常常的日子里的经历。心灵接受了无以计数的印象--琐碎的、奇异古怪的、转眼即忘的或是用锋锐的钢刀铭刻在心的。它们来自四面八方，宛如无数的原子在不停地淋洒着。在它们坠落时， 在它们形成了星期一或星期二的生活时，侧重点与昔日不同，重要的时刻也位于不同之处。所以，如果作家是个自由自在的人而不是个奴役，如果他能随心所欲地写作，而不是替人捉刀，如果他作品的基础是他自己的情感而不是习俗传统，那么，哪里还会有这种约定俗成的情节、喜剧、悲剧、爱情或灾难，或许也不会学庞德街的裁缝那样缝钮扣。生活不是一副副整齐匀称地排着的眼镜，生活是一片明亮的光晕，是从意识的萌生到终结一直包围着我们的一个半透明封套。把这种变化多端、闻所未闻，无从界定的精神世界--不管它会显得何等的反常与复杂--传达描述出来，并且尽可能避免搀入异己之物与外在杂质，难道这不是小说家的任务吗？”

  这在当时甚至现在都是一种全新的小说写作概念。在这种概念中，小说人物并不是表面看起来的那样。在<到灯塔中>中拉姆齐夫人这样想：“我们的影象，你们借以认识我们的东西，都是肤浅可笑的。在这些影象下面是一片黑暗，无边无际，深不可测；我们只不过偶尔浮到表面，你们就是依靠这个认识了我们。”伍尔夫相信，每个人的内心都像一座大海中的冰山，而日常生活中表现出来的只不过是冰山露出海面的那一个角，只占了整个冰山的百分之一。而伍尔夫的野心就是把剩余的部分展示出来。在她的小说中，人们麻木、无知、功利、丑恶；但同时又天真、诚实、善良。所有的真实如我们的充满人性的人物互相伤害同时又互相深爱对方。正如伯.布莱克斯东在<弗吉尼亚·伍尔夫:一篇评论>中说:“阅读了<到灯塔去>之后再来阅读任何一本普通的小说,会使你觉得自己是离开了白天的光芒而投身到木偶和纸板做成的世界中去.”

有些人会觉得与其他意识流作家相比，伍尔夫视野过于狭窄。这固然是一种观点，然而有一点要指出的是，也许是水瓶座的固执天性使然，这些人想看到的，伍尔夫完全不打算写。她所要表达的已经在她的书中完全表达出来了。

"How do you add up everything little thing and come to the conclusion that it is like or dislike that you feel about someone?”

“他悄悄地走过去，看见面前那个一次次使句号变得圆满、象征着某种结论的篱笆，看见他的妻子和孩子，并且又一次看见那些垂着红色天竺葵的石缸，它们每每点缀着他思想的历程，将它写在一片片叶子上，仿佛叶子就是张张纸片，由匆忙阅读的人在上面随手记下只言片语..”

“立刻，拉姆齐夫人似乎又将自己合拢，花瓣一片叠一片地包起来，整个人似乎因筋疲力尽而坍倒，于是，她让自己完全陷在瘫软之中；她的力气仅够用手指在格林童话书页上移动；同时，她的体内搏动着创造成功的狂喜，如同一股泉水的节奏，刚才尽情地展开，现在慢慢停止涌动。”

伍尔夫的写作理念是To show life as it is before it has been put into anything.去探索生活的原本面貌。在我喜爱的女作家中，Emily Brontē表现出了世上最强烈的爱情;Doris Lessing用最混乱的方法解决问题；而Virginia Woolf则是用最理性的方式追寻生活本质，她想到灯塔去。在伍尔夫的日志中她说To the lighthouse是about life,about death,about Mrs Ramsay.而Mrs Ramsay有时会被生活压倒,有时会与生活议和,大部分时候她更会对生活挥舞利剑.

“When you read a book,it becomes part of you”.同样，伍尔夫也成为我的一部分。虽然她说“人总是凭借一些零星事物—某种声音，某个景象—勉强把自己从孤独里解脱出来。”“...没有答案，只看到如果诚实地考察，生活提出一个又一个问题，它们只能留到故事结束，一遍遍地回响，无望地追问，这种感觉让我们感到一种深深的绝望，最终也还夹杂着一丝怨恨。” 虽然生活存在着一些永恒的问题，然而不管怎样，我们要向生活挥舞利剑.

到灯塔去.

  In none of her movies does Campion provide concessions to contemporary Western images of feminine style and beauty.She is uncompromising in her depiction of women as they might have appeared in their time and place.About this,we can see Holly Hunter presented with realism as Ada in The Piano.Her hair is oiled and conditioned into a high modern gloss,and her costume austere.Similarilly,Meg Ryan,the American sweetheart,is like an old maid:strange hairstyle and old-fashioned dressing.

  Apart from this,Campion also would like to present to her audience incredible truth.In her films,women are shown nose dribbles when crying,pissing,farting,not to say naked.Even in An Angel At My Table,Janet tentatively sniffs the blood of her first menstrual period and thereafter stuffs the used 'rags' behind the headstones in the cemetery.

  Typing this,i'm not to show Campion's strange aesthetic faculties,but,to look really closely and find out what she's really trying to say.

   Here,i would only talk about two of Campion's films:The Piano and In The Cut.

The Piano

  A pure feminine film.Landed at the beach with her daughter and her piano,Ada meant to be a good wife.Which,however,was quickly shattered by the husband himself,coz he refused to take the piano along with its owner for the bad weather.Although Mr Baines knows little words,he is the one who takes the piano back and returns it to Ada.I can't deny that there exsists some erotic portion in Ada's love for Mr Baines,but neither can i disagree it is he that let Ada have her piano back again.And for her husband,she paid her finger.

  The piano,can't be abandoned.

In The Cut

  As for detective Malloy,he is just so straightforward about his desire and so confident.He's a manly masculine part,and very charming.Even i have to admit his passion when he first made love with Frannie.Notwithstanding,Frannie is the kind of person who is very unlikely to risk her heart for a guy.No wonder Malloy thinks that if it's not sex she won't be with him.

  It is not true.

  The second day after their first having sex,Frannie has been crying all the time.Sex has satisfied her body,but her soul wants more.She is brave,and might be considered as a warrior.But she also needs a harbor,not just a man from whom she can only get physiological satisfaction.Whereas,when she found the little accounterment in Malloy's pocket,between her mother's tale and her nightmare,she chose the latter one to believe,which,i believe,most nowadays female will do only to protect themselves.

Women today are dealing with both their independence and also the fact that their lives are built around finding and satisfying the romantic models we grew up with.

  Women often postpone their lives, thinking that if they're not with a partner then it doesn't really count. They're still searching for their prince, in a way. And as much as we don't discuss that, because it's too embarrassing and too sad, I think it really does exist. ---Jane Campion

  This really can't be taken as serious analyse,maybe i'll write better in the future when i've got mood and time.